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Download Free Hellraiser: Hellseeker

2002
    (  Horror  Mystery  Thriller  )


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Casts:

Dean Winters aka Trevor
Ashley Laurence aka Kirsty
Doug Bradley aka Pinhead
Rachel Hayward aka Allison
Sarah-Jane Redmond aka Gwen (as Sarah Jane Redmond)
Jody Thompson aka Tawny
Kaaren de Zilva aka Sage (as Kaaren De Silva)
William S. Taylor aka Detective Lange
Michael Rogers aka Detective Givens
Trevor White aka Bret
Ken Camroux aka Ambrose
Dale Wilson aka Chief Surgeon
Gus Lynch aka Boyfriend
Kyle Cassie aka Paramedic
Alec Willows aka Janitor
Ashley Laurence aka Kirsty Cotton Gooden
Doug Bradley aka Pinhead / Merchant(as Doug Bradley/Charles Stead)
Sarah-Jane Redmond aka Gwen(as Sarah Jane Redmond)
Kaaren de Zilva aka Sage(as Kaaren De Silva)


Very good sequel
Come on guys! 4.5 out of 10? This sequel in the Hellraiser series is
clearly a very good horror movie. Moreover, it is the best sequel in
the Hellraiser series since the second movie - which was also an
awesome sequel. Obviously the director and scriptwriter has a lot of
respect for the series and it's all like a great "book of blood" story
by Clive Barker. I thought the lead role isn't played very well and
it's not quite as good as a book of blood story of course. However,
this movie in the series clearly have respect for the concept. I think
internal references between the movies would be a good idea -
unfortunately the director has left this out and only included it on
the alternate scenes of the DVD. Anyway, the series should be connected
and not just viewed as a single movie. This movie is really good for
fans of the genre, and we can only hope that sequels in the future will
be just as good or better. 7/10..
In a time when horror movies have become direct-to-video crap or cheesy first-run crap, how is it that the Hellraiser movies are among the least noticed and yet probably the most clever and impressive sequel
The beginning of the fifth Hellraiser sequel raises something of a moral
dilemma, which is extremely rare for a horror movie. After the car crash,
Trevor, our hero, escapes from the car after it sinks to the bottom of the
river and he rushes to the surface to get air, then returns to attempt to
save his wife. At that point, my immediate reaction was that he deserves
any
suffering that comes to him, since he left his wife on the bottom of the
river to go and try to save himself. On the other hand, it probably
wouldn't
have done much good had he remained down there and lost consciousness
right
there with her. I guess that's why they tell you on the airlines to secure
your own oxygen mask and THEN help your kid.

But while this early scene inspired in me an unusually complex combination
of thoughts and emotions, it unfortunately is unable to escape from the
destructive presence of reality on the possibility of it happening the way
it did. I am willing to suspend disbelief on the premise that the guy was
screaming at his wife underwater through the window, watching her drown
right in front of his blurred eyes and therefore not necessarily able to
think all that clearly, but on the other hand, riverbeds have an
overwhelming tendency to be covered with big, round, hard, window-breaking
rocks.

When the investigation begins, things start to get a little strange and we
begin to realize that there is something weird about what happened in that
crash. Evidently the car was found with the doors open, which puts some
serious holes in the story about not being able to get the doors open to
save his wife. It turns out that he has come back with a spotted memory,
and
that the crash that we saw at the beginning of the movie may not have been
exactly how the event unfolded. Things seem to have happened that he
doesn't
remember.

I found it highly amusing that the detective that always gave him a hard
time because he didn't believe his story was named Detective Gibbons, just
because I recently took an Anthropology class in which I learned what a
`gibbon' is. I would NOT have been able to keep my cool with this guy
though, who was hugely overacting and throwing harsh accusations which
were
not necessarily unfounded but definitely a little too confident and, if
accusations can be this, a little too accusatory.

The best thing about this installment in the Hellraiser series is that it
works on a psychological level with the main character. Granted, this is
nothing new in the horror genre, but it is done very well here. We never
know when he is seeing reality, when he's dreaming, when he's having
delusions, inaccurate flashbacks, and there is plenty of opportunity for
lots of twists and turns, and thankfully these opportunities are not
ignored. I hate it when movies do that (see Hollow Man). Because of this,
we
never expect things like the startlingly effecting scare in the vending
machine, one of my favorite scares in the movie.

Pinhead has thankfully been given a much more prevalent role than he had
in
the rather disappointing Hellraiser Inferno, the least Hellraiser movie of
all of them, and it's morbidly pleasing to see some of the familiar
Cenobites return, like Chatterer. The movie closes with the old `leave him
and take me' clich.

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